Experimental printmaker and designer based in the north east of England specialising in woodcut, letterpress and non-adhesive bookbinding techniques
Thursday, July 9, 2020
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Yakisugi woodcut printmaking part 2
This follows on from my previous post which covered the process of yakisugi (scorching wood to raise the grain) which you can read here ...
 
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When lockdown began in March, along with many others, I found myself without access to a lot of the equipment and studio facilities I'd ...
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When I started my MA, I had a clear idea that the final work would be presented in some type of structural binding, something which stood as...


 
 
 
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